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Saturday, June 27, 2009
Monday, June 15, 2009
The Walkmen
Friday, June 12, 2009
Pens Eye View 2009 (Interview and Press)
I
in listening to The Hugs talk about this insane business they’re in, you’d think they’d been making records for at least 10 years. These guys were signed by giant Columbia Records – a big friggin’ deal (especially at 17 and 18 years old) – but also a big friggin’ pressure cooker for instant commercial success. The band was quickly transported to London for recording… where the unfortunate happened. They sum it up simply: “We left Columbia Records because they tried to change us, and we weren't having that…We want to make music we love and songs that people can relate to and to play to big crowds!”
That takes balls – a lot of confidence in what you’re doing and where you’re going. And The Hugs have every reason to be confident – their sound is catchy, charming and in line with some of the best music ever made. And these guys are still just at the beginning of their careers – they’re still “kids!” They pull so much influence from the period of music that has affected them the most, the amazing time that went on between1965-69: “We dig the tape analog sound. We all like just good music by great bands. The Stones, Strokes, Tommy James and the Shondells, Beatles, Velvet Underground, Oasis, Libertines, Elliott Smith, The Vines, Pink Floyd.”
The guys are now working on their second record, as their first one prepares to drop later this month on June 23rd. They talk about the self-titled collection; “lots of hooks and catchy verses with bright lyrics and lots of reverb. It's all-around good vibe.” Its music that’s very much like the classics made in the late 60’s – it’s made to perform live – perfect for singing along and having a kick-ass time. The boys will release both the self-titled album and another LP later this year before heading back over to London to hang out with a few new labels. We wish them the best of luck – but chances are they won’t need it. Keep reading along for the answers to the XXQ’s.
XXQ’s: The Hugs
PensEyeView.com (PEV): So give us the story – how did The Hugs come together?
Danny: The drummer Kelly and Me (Danny) met in 7th grade in middle school. We had many bands, and then we got older and went to high school and started the Hugs. Nicholas joined and so did Brendan, and practically overnight we formed. We have been together for 2 years now. But 6 if you count when me and the drummer met.
PEV: You’re from Oregon, right? But lived in the UK? Tell us how that was.
Danny: We lived in The UK for six months last year, and recorded and toured up north and such. We are now back in Portland, playing shows and about to release two records.
PEV: What kind of music where each of the members listening to growing up? What was the first concert you attended?
Danny: We all like just good music by great bands. The Stones, Strokes, Tommy James and the Shondells, Beatles, Velvet Underground, Oasis, Libertines, Elliott Smith, The Vines, Pink Floyd. First concert was Vines and Jet in 2003.
PEV: Tell us about your creative process… What kind of environment do you have to be in to make music?
Danny: I record demo's/songs on a four track and or my Macbook with a special USB microphone. I record in the bathroom and or a closet for good acoustics. I then play it for the band and sort of direct the band in my idea for the song once all the instruments are around me.
PEV: It’s clear you’re all a little crazy about 60’s music – while there are obvious reasons for this, what are some of the not so obvious?
Danny: Our parents rocked out to all of it when we were toddlers. We love the style of culture of London in 1965-69. We dig the tape analog sound.
PEV: Tell us about the records you've been working on.
Danny: We are actually recording our second album right now. Our first will be released on June 23rd, 2009. It's self titled and has 17 songs. It's got lots of hooks and catchy verses. With bright lyrics and lots of reverb. It's all around good vibe. The second LP is sounding much more mature and more catchier and full of surprises.
PEV: How would you describe the sound of The Hugs? What makes you guys stand out?
Danny: We have deep in-rooted melodies all over our songs. We are all musical trained since we were 14 years of age at our instruments. I sang in choir for three years in high school. We work a lot on detail and pay attention to the way we play with each other. We smile a lot to. And shake our head side to side.
PEV: Was there a certain point in your life when you knew that music was going to be a career for you?
Danny: When I opened up for Brighton's the kooks at the wonder ballroom in Portland last year. Before that we weren't so sure.
PEV: How pumped were you guys when you got signed as such a young band?
Danny: It was exciting but was a really big mind fuck. We all had a lot of pressure from the label to make hits and singles. We had our sound changed by a producer named Liam Watson, but beyond that it was fun playing with the Dandy Warhols and the Brian Jonestown Massacre and meeting all of our fans in Europe and living in London, England for half a year- It's a business... it's also got it's negative sides. I think we know what we want now more then when we were 17-18 and just been signed to Columbia Records. We want to make music we love and songs that people can relate to mostly.
PEV: Tell us about your first live performance as a band. How have you changed since that first show to where you are now?
Danny: Well, we did not sing very well at first, and I had a hard time throwing my guitar around and keeping my parts together. We have just gotten much tighter as whole. The bass is more locked in. Harmonies sound spot on.
PEV: Got any good stories from playing on the road? Have you been able to spend much time on the road?
Danny: We toured Europe and west coast of America a few times, not too many stories but one time we got pulled over by a cop in Southern California near Joshua Tree and they let us go. We then met up with Carl Barat of the libertines and drank some beers in Graham Parsons old hotel room. That was wicked. And we did some other things that cannot be mentioned here.
PEV: Do you have a dream city that you’d like to play in?
Danny: Canary Islands, Melbourne, Cambodia, New York. Anywhere in Spain!
PEV: What can we find the each of you doing in your spare time, aside from playing/writing music?
Danny: I write a lot of stories and about personal experiences and Kelly our drummer does kung fu. And Nicholas goes golfing. I also play baseball
PEV: Is there one artist or group out there that would be your dream collaboration? Why?
Danny: Alison Goldfrapp. She is very attractive and can sing very swell for a girl. She is really pretty and can write and perform great dance music.
PEV: Is there an up and coming band or artist you think we should all be looking out for? Other than The Hugs, of course.
Danny: Derby from Portland, Oregon. Those guys are really unique. And Starfucker.
PEV: Is the fact you’re huggable the only reason for the band name?
Danny: We named the band after our vision. We want to bring people closer together with our songs. It's not so cutesy as it sounds. It's actually worked. We have a lot of fans hugging each other at our shows. And it's just a fine name. We are THE HUGS!
PEV: What's one thing we'd be surprised to hear about The Hugs?
Danny: We left Columbia Records because they tried to change us, and we weren't having that.
PEV: What one word best describes The Hugs?
Danny: Fun
PEV: So, what is next for The Hugs?
Danny: We are releasing two albums this year and moving back to London to showcase for new record labels. We won't ever stop making albums and songs.
For more information on The Hugs, check ou wwww.TheHugsPortland.com
Saturday, June 6, 2009
Listen To Gringo Star Ever?
Friday, June 5, 2009
Tuesday, June 2, 2009
The Hugs Debut Album Coming Soon!
Sunday, May 31, 2009
Kelly's Olympian
Wednesday, May 27, 2009
Doug Fir Lounge Tomorrow Night
Saturday, May 23, 2009
Wednesday, May 20, 2009
Saturday, May 16, 2009
Friday, May 15, 2009
Wednesday, May 13, 2009
Photo's By Melanie Brown (2007)
Wednesday, May 6, 2009
Funny Old Press On The Hugs
The Hugs will play Dante’s in about 20 minutes, but at the moment they’re huddled together out front, standing on tippy-toes with craned necks to see around the club’s large, pierced and tattooed bouncer. Oregon’s stringent liquor laws keep the high-school-age Portland quartet from entering the club to watch openers the Foxtrots take cracks at a largely seated, not-quite-ready-to-rock crowd. The Hugs don’t seem to mind.
The OLCC might treat the Hugs like second-class citizens, but the band’s collective foot is already in the music industry’s metaphoric door (in England, at least). The band has garnered the attention of some pretty important U.K. music-biz movers and shakers, including James Endeacott—the A&R guy and 1965 Records founder who is credited with discovering the Strokes and the Libertines. Reportedly, he’s close to signing the Hugs.
But this isn’t England, this is Dante’s. Once they’ve been given the green light, the band hustles into the venue like a group of thirsty claim-jumpers, untangling cords and hollering impenetrable teen-speak. Each stylistically disparate member looks vaguely like daytime television’s idea of a rock-’n’-roll persona: the well-groomed twee kid, the smoking psychedelic kid, the Converse-clad “alternative” kid. Frontman Danny Delegato is the Guns N’ Roses-era caricature, his oversized sleeveless shirt and cowboy hat dwarfing his boyish frame. When asked to check his mic, he lets out a howl that dovetails into a squeal.
Despite the band members’ extreme marketability, the Hugs’ live set is hectic and loose, with songs losing structure and Delegato’s vocals disintegrating into Mark E. Smith rambles or Paul Westerberg screams (though I’d forgive him for not catching either reference). Drummer Kelly McKenzie absolutely kills—probably the most entertaining member of a very entertaining band—even if his thrashing can’t keep the rest of the band from wandering into the occasional rock-’n’-roll disaster. He tries repeatedly to end the band’s seemingly endless final song (which came complete with dangerous mic-stand-wielding and a Hendrix-style collapse or two) with little success.
The Hugs’ onstage theatrics prove the band has chops to match its natural talent (it’s hard to believe these are teenagers), but the members still show their age when it comes to songwriting. I leave the club without remembering any specific song—and hoping the Hugs’ development doesn’t suffer as the band rushes forth to become the next big thing.
CJ (WW)
Before they actually sign to London's 1965 Records (home of UK hypesters the View), local band the Hugs are self-releasing their own album tonight. The self-titled effort by these teenage Anglophiles shows a band wise beyond their years, and one keen on producing bouncy pop songs heavy on the hooks and melody. Spoiler alert! Here is the future of the Hugs, as told by me, the Miss Cleo of indierock fortunetellers. Their powerful British connections make them superstars overseas and darlings of the British press. Soon they develop a row with another band—oh, let's say Razorlight—and someone calls someone else a "bloody wanker." They play Glastonbury and the Carling Weekend, and the whole thing spirals out of control after a trip to Ibiza with Pete Doherty and Liam Gallagher. Enjoy it while you can, boys. EAC
Fresh out of high school, The Hugs commanded the attention of two of the biggest and most respected names in the British music industry. Roger Sargent and James Endeacott flew out to Portland from London just to witness the garage/pop-rock band, returning home poised to sign and manage the group of teens.
Now living in London, The Hugs have signed a deal with 1965 Records and Columbia UK. Their debut album is being recorded with Liam Watson (who recorded White Stripes’ “Elephant”) and the band is working with Gus Van Sant for their first music video.
The Hugs is a fitting name for this ambitious group of starry-eyed, still-wet-behind-the-ears Portland teenagers.
Only months removed from their high school graduation, the Hugs apparently caught the attention of prominent British rock photographer Roger Sargent in 2006, after band frontman, err frontkid Danny Delegato pursued him on Myspace. Delgato's persistence paid off and the band will spend this spring recording in London, under the supervision of their label, UK-based 1965 Records.
The Hugs produce a young yet confident British invasion sound reminiscent of the Kinks, the Stones and contemporaries Arctic Monkeys and the Libertines. Virtually leap-frogging Portland's indie rock rat race, these kids are rumored to be talking with state-side major label Sony/Columbia. Not bad, huh?
The Hugs are the band that you wish you were in during high school. Or college. Or right now for that matter. Visceral and earnest, their songs are further along than their playing, and that's a good thing. Everything from the Velvet Underground to the Kinks to early Pavement is here, all being written by chaps young enough to yet worry about declaring a major. Unless, of course, it's declaring which major label they want to sign to, in which case the lucky winner is London-based 1965 records. Not quite a household name yet, the label is the lovechild of James Endeacott, formerly of Rough Trade records, who had the foresight to sign another young and eager band called the Strokes a few years back. Can the Hugs embrace their future as garage rock's next big thing? I, for one, sure do hope so. AY
Tuesday, May 5, 2009
I like Sweden & Klickitat Band Camp A Lot!

This band is from Stockholm Sweden and they are really somethin'...Listen to "This Heart Is A Stone" and if you have good taste your eye brows will rise. Sweeeeet? We are slowly but surely finishing our second LP at Klickitat Band Camp. Go to www.KBCrecords.com for info on how to be the coolest musician in the world and hear some great songs by great bands. Go Shay Scott! Monday, May 4, 2009
Sunday, May 3, 2009
Top to the tops

Friday, May 1, 2009
Elling

Hello Movie Fans,I recently watched and enjoyed the movie titled Elling. It takes place in Sweden of all places and is about two men who move into together who have a bit of trouble in life. They can't get out of the house! The movie is a very captivating film full of surprises and a great ending and a good musical sound track. Elling is a movie that is unpretentious, charming, quirky, original, and largely making its points indirectly. It's the kind of film that creeps up on you and leaves you smiling, the kind of film that keeps spinning around in your head days after it was seen, its insights bubbling up like fresh spring water. Check it out!
Friday, April 24, 2009
The Joy Of Living


Wednesday, April 22, 2009
My Favorite Drummers (Kelly Mckenzie The Hugs)
Tuesday, April 21, 2009
Monday, April 20, 2009
Earth Day Success!

The Hugs are releasing TWO ALBUMS!

Hello Fans/Friends/People/Huglets






















